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there are things we can know & things we should not hope to know
July, though. With July comes a crime spree -- all manslaughter and fraud and rumbles on every corner. The rain falls in thick curtains every afternoon and when clouds part, it is only to make way for grey rainbows and murderous crows. Ruby is waterlogged. She can not see the rain for all the tears.
One night as she walks from the park, Ruby sees a girl fighting with a man on the front steps of a house. The girl has hair like Ruby, dark and short, and when the man yells at the girl I can't even stand to look at you Ruby almost believes he is yelling at her through the black air. He slams the door and the girl picks up a flowerpot and hurls it at his absence. The terracotta hits the wall; the girl's face shatters into a million pieces; Ruby feels her own face beginning to crack. So, it's true. I really am made of glass, she thinks even as the girl, the other girl, looks over at Ruby and says Why the hell are you crying?Why the hell are you crying? This is a question Ruby can not answer. Not when the spokes of her bicycle ask, not when the hinge on the gate wants to know, not when the robins inquire, or when she poses it to herself in the middle of the night. It was not her flowerpot, her heart, her life, her man shutting the solid door in her face. It is never her skinned knee, her bruised heart, her romatic sunset that she cries over. So why then? Why? Ruby hates waste and she can not stand carelessness. So why shed tears that only spillover into a river, already overflowing with sadness, that goes nowhere? Ruby resolves to toughen up.
And she does. She stops looking through the windows of other peoples lives and starts looking over her own shoulder. When a bird flies over head, Ruby no longer thinks of the beauty of its frail, hollow bones. Instead she curses the mess it makes on the windshield of her car. She puts on headphones to block the noise and walks miles with her head down instead of riding the bus. Why cry, she thinks. Don't you dare cry. And since she doesn't have an answer, she doesn't.
It is many months later and the moon is very full on the night that Ruby meets John for the first time. Fall has arrived with usual languorous reds and oranges and Ruby resists being enamored by the changing leaves. They sit, John and Ruby, at a table under the skeletal arms of trees and drink read wine in their scarves. John is smart but his attention annoys Ruby, his attentiveness to details and the way he points out two squirrels chasing each other, weaving their around the trunk of a tree. She starts to fidget first and then chafe against the tenderness, the sentimentality he seems to seep for everything with cells and atoms. Get a grip Ruby shout in her head Live in the real world, buddy. She tries to smile though, and thinks that she is convincing until John stops his story about a boy with a kite in the middle of sentence. He looks at Ruby and then touches her hand, which is twirling her glass of wine around and around by stem. Hey he says and Ruby stops to look up at him for first time. Hey. Ruby. Don't write me off just yet. And that is all it takes. With that, Ruby starts to cry and cry and cry because she realizes that she is still transparent. The only thing that has changed is that she has become a more brittle kind of glass.
The week was muddy and fraught with feelings I couldn't put words to, even as I wanted desperately to say something true and then to have the sheer weight of that truth anchor me to the ground. I began to slip through my own fingers, beyond Squirrel's grasp even, to the place where language has no power for redemption. And then unaccountably I thought of the freckles on my mother's arm and her birthmark. I realized without forming words: I love my mother and knew it was true and nourishing as soup. And then, because they go together, I thought of my father and the way he taps his foot under the dinner table and again I thought my father is a good man and this thought was subject to gravity as all real things are.
The screaming started, though, and metal rose up from the ground and the rain and air rusted the landscape and I worried it was too late for any words that I might find. But he set a cup of tea, settled in a saucer, in front of me and when his fingers touched the back of my hand, I nodded my head because I knew it was more true than nerve endings or rain. The sun came up in the morning and Squirrel and I walked for many miles along the river because our legs are strong enough to take us and outloud she said to me we should be thankful for this gift of motion, so we were and our gratitude was as true as the dirt under our feet and my love for her seemed more lasting than the stones.
And then Grace called last night and I could hear her shrugging across the way, seeming to say with her shoulders this is a mystery I can live with, how I came to love him when I didn't think I would love anyone this way. For awhile she spoke of being 18 and the poems we used to say each to other, the way we cut our hair and scampered through the woods at night, of the decisions and the boys and the cliffs we climbed over the sea. What lovely horrible times those were -- how good to look back and then decide to open your arms to whatever comes next she said. I am so happy for you I said because the words were true and I could not hold them back.